Where the Lines Lead

What can a painted line carry besides colour?

Rob had followed roads, rivers, trails, and plenty of frisbees caught by the Wind. But he had never followed a painted line. When a red streak curled across the Alberta sky, Rob wondered where it was going. He didn’t yet know the better question was where it began.

Honouring National Day for Truth and Reconciliation

September 30 is the National Day for Truth and Reconciliation — a day to honour the children who never returned home, Survivors of residential schools, and the families and communities whose lives continue to be affected.

Alex Janvier was one of those children. He was taken from his family and sent to residential school, but his story did not end there. Through his art, Alex carried forward his identity, his memories, his connection to the land, and his voice.

This Adventure honours Alex’s remarkable life while also remembering the many Indigenous people whose stories include similar experiences of separation, loss, resilience, and strength.

May Alex’s story encourage us to listen, to learn, and to keep wondering about the stories that deserve to be remembered.

A Line in the Wind

Rob stood in an open field, tossing his frisbee into a steady Alberta breeze and catching it each time it returned. After several throws, he decided to send one a little higher, watching as the disc climbed into the air, hovered for a moment… and stopped.

“Oh no,” Rob said, recognizing the feeling immediately. The Wind had found him again.

The frisbee tipped sideways and shot across the field, leaving Rob scrambling after it.

“HEY!” he shouted as he ran, but this time the Wind wasn’t carrying his frisbee toward a falling apple, a bathtub, or a strange flying machine.

It was carrying it toward a line.

A bright red line stretched through the air ahead of him, curving left, looping right, dipping toward the ground, and curling upward again.

Rob stopped running and stared at it. “Okay,” he said. “That’s new.”

The red line wiggled, almost as though it had heard him, before continuing across the field.

Curious about where it might be going, Rob followed.

A Line Going Somewhere

Soon a blue line appeared beside the red one, followed by yellow and white, and the four colours twisted around one another without ever becoming tangled.

Rob reached out to touch one, but his finger passed straight through it, leaving him even more puzzled.

“Definitely new,” he muttered.

The lines swept forward again, climbing over the top of a hill, and Rob chased after them until he reached the summit and stopped in surprise.

Below him was a man painting, his brush moving slowly across the surface in front of him. With every curve, turn, and sweep of the brush, the colourful lines surrounding Rob seemed to move in exactly the same way.

Rob looked at the lines, then at the painter, and back at the lines again, trying to make sense of what he was seeing.

“Are you doing that?” he asked.

The man smiled and introduced himself. “I’m Alex.”

“Rob,” he replied.

Alex glanced around, looking slightly puzzled. “Doing what?”

Rob pointed everywhere. “That.”

As Alex dipped his brush into the paint again, another line curled through the air, and Rob watched it with growing fascination.

“How do you know where it’s going?” he asked.

Alex continued painting and replied, “Do you always need to know?”

Rob considered the question before answering, “No. But I usually like to.”

Alex smiled, offering no further explanation, and Rob was beginning to get used to answers that only gave him more to think about.

Following the Line

The red line began moving again, leading Rob past Alex’s paintings, some of which were filled with bright colours and movement, while others made him stop and look more closely.

He wasn’t always sure what he was seeing. Sometimes a painting reminded him of a river, a winding road, or the Wind itself, although it might have been none of those things, or perhaps all of them.

Turning back toward Alex, Rob pointed to one of the paintings and asked, “What is this one supposed to be?”

Alex studied the painting for a moment before looking at Rob.

“What do you see?”

Rob tilted his head one way, then the other, trying to find something familiar in the shapes and colours.

“I see… something moving,” he said. “Maybe water. Or sky.”

He stepped closer, studying the painting from a different angle before admitting, “Actually, I’m not sure.”

Alex smiled, and Rob couldn’t help but laugh.

“You really like making me work for this, don’t you?”

The longer Rob looked, the more details he began to notice. Some lines seemed to race across the canvas while others wandered, occasionally moving together before pulling apart again.

He began to wonder whether the paintings were really puzzles he was supposed to solve, or whether they were stories he was meant to spend time with.

The Number

As Rob moved closer to another painting, something near the bottom caught his attention. It wasn’t a name or a familiar signature, but a number.

287.

Rob pointed toward the three digits and asked, “What’s that?”

Alex’s brush stopped, and for the first time since Rob had arrived, everything seemed a little quieter.

“Is that your signature?” Rob asked.

Alex looked toward the painting, and Rob thought about what he knew of the man standing beside him. Alex had a name, a family, a culture, and a home, but 287 was a treaty number he had carried, one he later sometimes placed on his paintings.

Rob looked from the number to Alex and said, “But that’s not your name.”

Alex shook his head, leaving Rob to study the three digits again.

A number couldn’t tell him about the land Alex knew, his family, his memories, or his language. It couldn’t describe everything Alex had seen and experienced, or hold all the things that made Alex who he was.

“So why put it there?” Rob asked.

Alex looked at the painting for a moment before picking up his brush again, and this time Rob didn’t press for an answer.

Perhaps the number was there because some things shouldn’t disappear, or because remembering could be part of the story too.

As the Wind moved softly through the grass, the red line began to move again, inviting Rob to follow it farther.

More Than a Line

This time Rob didn’t chase the line but walked alongside it, taking his time as it led him past paintings filled with colours, shapes, and stories.

He was beginning to understand that the line wasn’t only going somewhere. It had come from somewhere too, carrying something from the people and places that had shaped it, from memories, and from experiences that had brought both joy and hurt.

Rob watched Alex paint for a while before asking, “Can a line tell a story?”

Alex raised his brush slightly and replied, “What do you think?”

Rob sighed. “There it is again.”

Alex laughed, and the red line curled around another painting, drawing Rob’s attention back to the canvas.

This time, instead of asking what the painting meant, Rob simply looked, wondering where the line had been before it reached the canvas, what places it remembered, which people it carried, and what stories might live inside it.

As he studied the painting, the red line suddenly rose into the air, followed by the blue, yellow, and white lines, which circled above him before stretching away together.

Rob turned toward Alex and asked, “Are we following those?”

Alex smiled, and Rob grabbed his frisbee with a knowing grin.

“I knew you were going to say that.”

Before he could take another step, the Wind caught him.

WHOOSH!

Morning Star

Rob landed on his back.

Again.

“One of these days,” he muttered, “the Wind could just use a door.”

But when he looked up, he forgot all about his landing.

Above him was a painting unlike anything he had ever seen, stretching across an enormous dome with colours and lines flowing outward in every direction.

Rob slowly got to his feet, staring at the extraordinary sight above him.

“Whoa.”

He was standing beneath Alex Janvier’s Morning Star.

Rob turned in a slow circle, discovering something new everywhere he looked. Red, yellow, blue, and white flowed across the enormous painting, the same colours he’d been following since his Adventure began.

Except now, instead of one line moving through the air, there were thousands stretching across the dome.

Alex stood nearby, looking upward, and Rob walked over to join him.

“I think I figured something out,” he said.

Alex waited, giving him time to explain.

“When I first saw the line, I wanted to know where it was going,” Rob began, looking up at the painting again. “But now I think I’m more curious about where it came from.”

Alex smiled as Rob continued studying the lines above them, thinking about the stories they carried of the land, of change, of what had been lost, and of what could still continue.

“Because every line has to begin somewhere,” Rob said.

The Line Continues

The Wind began to stir, and Rob recognized the familiar feeling that meant his time here was almost over.

Before leaving, he looked up once more at the lines stretching across Morning Star, thinking about how something as simple as a line could begin with a brush, a place, a memory, or a person.

Perhaps that was also why two people could stand beneath the same painting and see something different, because each person brought their own experiences and stories with them.

As the Wind lifted Rob’s frisbee from his hand, he watched it float upward and curve through the air, imagining for a moment that an invisible line was following behind it, bending and turning as the disc continued its journey.

Rob reached up and caught the frisbee with his right hand, then turned toward Alex with another question.

“Do you think a line ever really ends?”

Alex looked back toward the painting while Rob waited for an answer, but when he finally turned around, he simply smiled.

Rob laughed. “Right. Another question.”

The Wind tugged at his jacket, growing stronger until it lifted him away.

WHOOSH!

Rob landed back in the field where his Adventure had begun, surrounded by the familiar quiet of the Alberta sky.

The colourful lines were gone, leaving only Rob, his frisbee, and the Wind moving gently through the grass.

He ran his finger around the edge of the disc, following its circular shape and noticing that it was a line with no obvious beginning and no obvious end.

Looking across the open field, Rob stepped forward and threw his frisbee, watching it climb into the sky along a path only the Wind could see.

As the disc travelled through the air, he thought about the lines he’d followed, the paintings he’d explored, and the stories Alex had helped him notice. A line might begin with a brush, a memory, or a story, but perhaps it could also begin with something as simple as a question.

And as Rob watched his frisbee continue across the sky, one question remained.

Where does a line begin?

The Story Behind Alex Janvier

Alex Janvier was born in 1935 on Le Goff Reserve, part of Cold Lake First Nations in Treaty 6 Territory in Alberta. He was Denesuline and Saulteaux, grew up speaking Dene, and became one of Canada’s most influential Indigenous artists. His paintings became known for their flowing lines, bold colors, and shapes inspired by the land, sky, culture, memory, and his own life experiences.

When Alex was eight years old, he was sent away from his family to Blue Quills Indian Residential School. It was there that his artistic ability was recognized and encouraged, even as residential school separated him from important parts of his home, language, family, and culture. Experiences from this part of his life would later appear in his artwork. He eventually studied at the Alberta College of Art in Calgary, graduating with honors in Fine Arts in 1960.

Alex also helped change the way Indigenous art was viewed in Canada. In 1972, his work appeared alongside artists Jackson Beardy and Daphne Odjig in an important Winnipeg exhibition called Treaty Numbers 23, 287 and 1171. 287 was Alex Janvier’s treaty number. The following years brought together Janvier, Beardy, Odjig, Eddy Cobiness, Norval Morrisseau, Carl Ray, and Joseph Sanchez as the Professional Native Indian Artists Inc., sometimes called the “Indian Group of Seven.” Together, they challenged an art world that too often treated Indigenous artwork as craft or artifact rather than contemporary fine art. Their work helped open doors for generations of Indigenous artists who followed.

One of Alex’s most extraordinary works is Morning Star – Gambeh Then’, painted in 1993 with assistance from his son Dean. The enormous mural covers 4,500 square feet of the domed ceiling at the Canadian Museum of History. Its four sections tell a story of the land from an Indigenous perspective: life before European contact, the turbulence that followed contact, Indigenous revival, and hope for healing and reconciliation.

Over a career spanning more than six decades, Alex created thousands of paintings and major public artworks across Canada. His work was exhibited internationally, and his honors included the Order of Canada, the Governor General’s Award in Visual and Media Arts, and the Alberta Order of Excellence. He continued painting almost every day until near the end of his life. Alex Janvier died on July 10, 2024, at the age of 89.

What Alex left behind was more than paintings.

He helped make space for Indigenous artists to tell their own stories, in their own ways, and to be recognized as contemporary artists on their own terms.

And his lines are still telling those stories.